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But it could be seen from a glance at their faces that most of the others, the men in particular, felt the inconvenience of the sudden intrusion of this old savage. They looked more secular and critical as then listened to the ravings of the old black man with a cloth round his loins cursing with vehement gesture by a camp-fire in the desert. After that there was a general sound of pages being turned as if they were in class, and then they read a little bit of the Old Testament about making a well, very much as school boys translate an easy passage from the _Anabasis_ when they have shut up their French grammar. Then they returned to the New Testament and the sad and beautiful figure of Christ. While Christ spoke they made another effort to fit his interpretation of life upon the lives they lived, but as they were all very different, some practical, some ambitious, some stupid, some wild and experimental, some in love, and others long past any feeling except a feeling of comfort, they did very different things with the words of Christ.

From their faces it seemed that for the most part they made no effort at all, and, recumbent as it were, accepted the ideas the words gave as representing goodness, in the same way, no doubt, as one of those industrious needlewomen had accepted the bright ugly pattern on her mat as beauty.

Whatever the reason might be, for the first time in her life, instead of slipping at once into some curious pleasant cloud of emotion, too familiar to be considered, Rachel listened critically to what was being said. By the time they had swung in an irregular way from prayer to psalm, from psalm to history, from history to poetry, and Mr. Bax was giving out his text, she was in a state of acute discomfort. Such was the discomfort she felt when forced to sit through an unsatisfactory piece of music badly played. Tantalised, enraged by the clumsy insensitiveness of the conductor, who put the stress on the wrong places, and annoyed by the vast flock of the audience tamely praising and acquiescing without knowing or caring, so she was not tantalized and enraged, only here, with eyes half-shut and lips pursed together, the atmosphere of forced solemnity buy viagra pills increased her anger.

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But somewhat dangerous to navigation,” boomed Richard, in the bass, like the bassoon to the flourish of his wife’s violin. “Why, weeds can be bad enough, can’t they, Vinrace? I remember crossing in the _Mauretania_ once, and saying to the Captain–Richards–did you know him?–’Now tell me what perils you really dread most for your ship, Captain Richards?’ expecting him to say icebergs, or derelicts, or fog, or something of that sort. Not a bit of it. I’ve always remembered his answer. ‘_Sedgius_ _aquatici_,’ he said, which I take to be a kind of duck-weed.

“If you ask me whether I ever find it rather dull,” he said, “I am bound to say yes; on the other hand, if you ask me what career do you consider on the whole, taking the good with the bad, the most enjoyable and enviable, not to speak of its more serious side, of all careers, for a man, I am bound to say, ‘The Politician’s.

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A prig–granted,” said Richard; “but, I think a man of the world. That’s where my point comes in. We politicians doubtless seem to you” (he grasped somehow that Helen was the representative of the arts) “a gross commonplace set of people; but we see both sides; we may be clumsy, but we do our best to get a grasp of things. Now your artists _find_ things in a mess, shrug their shoulders, turn aside to their visions–which I grant may be very beautiful–and _leave_ things in a mess. Now that seems to me evading one’s responsibilities. Besides, we aren’t all born with the artistic faculty.

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May 21st, 2015 >> Uncategorized

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By these means Rachel reached that stage in thinking, if thinking it can be called, when the eyes are intent upon a ball or a knob and the lips cease to move. Her efforts to come to an understanding had only hurt her aunt’s feelings, and the conclusion must be that it is better not to try. To feel anything strongly was to create an abyss between oneself and others who feel strongly perhaps but differently. It was far better to play the piano and forget all the rest. The conclusion was very welcome. Let these odd men and women–her aunts, the Hunts, Ridley, Helen, Mr. Pepper, and the rest–be symbols,–featureless but dignified, symbols of age, of youth, of motherhood, of learning, and beautiful often as people upon the stage are beautiful. It appeared that nobody ever said a thing they meant, or ever talked of a feeling they felt, but that was what music was for. Reality dwelling in what one saw and felt, but did not talk about, one could accept a system in which things went round and round quite satisfactorily to other people, without often troubling to think about it, except as something superficially strange. Absorbed by her music she accepted her lot very complacently, blazing into indignation perhaps once a fortnight, and subsiding as she subsided now. Inextricably mixed in dreamy confusion, her mind seemed to enter into communion, to be delightfully expanded and combined with the spirit of the whitish boards on deck, with the spirit of the sea, with the spirit of Beethoven Op. 112, even with the spirit of poor William Cowper there at Olney. Like a ball of thistledown it kissed the sea, rose, kissed it again, and thus rising and kissing passed finally out of sight. The rising and falling of the ball of thistledown was represented by the sudden droop forward of her own head, and when it passed out of sight she was asleep.

Ten minutes later Mrs. Ambrose opened the door and looked at her. It did not surprise her to find that this was the way in which Rachel passed her mornings. She glanced round the room at the piano, at the books, at the general mess. In the first place she considered Rachel aesthetically; lying unprotected she looked somehow like a victim dropped from the claws of a bird of prey, but considered as a woman, a young woman of twenty-four, the sight gave rise to reflections. Mrs. Ambrose stood thinking for at least two minutes. She then smiled, turned noiselessly away and went, lest the sleeper should waken, and there should be the awkwardness of speech between them.

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Uncomfortable as the night, with its rocking movement, and salt smells, may have been, and in one case undoubtedly was, for Mr. Pepper had insufficient clothes upon his bed, the breakfast next morning wore a kind of beauty. The voyage had begun, and had begun happily with a soft blue sky, and a calm sea. The sense of untapped resources, things to say as yet unsaid, made the hour significant, so that in future years the entire journey perhaps would be represented by this one scene, with the sound of sirens hooting in the river the night before, somehow mixing in.

Of course, one sees all that,” she thought, meaning that one sees that he is big and burly, and has a great booming voice, and a fist and a will of his own; “but–” here she slipped into a fine analysis of him which is best represented by one word, “sentimental,” by which she meant that he was never simple and honest about his feelings. For example, he seldom spoke of the dead, but kept anniversaries with singular pomp. She suspected him of nameless atrocities with regard to his daughter, as indeed she had always suspected him of bullying his wife. Naturally she fell to comparing her own fortunes with the fortunes of her friend, for Willoughby’s wife had been perhaps the one woman Helen called friend, and this comparison often made the staple of their talk. Ridley was a scholar, and Willoughby was a man of business. Ridley was bringing out the third volume of Pindar when Willoughby was launching his first ship. They built a new factory the very year the commentary on Aristotle–was it?–appeared at the University Press. “And Rachel,” she looked at her, meaning, no doubt, to decide the argument, which was otherwise too evenly balanced, by declaring that Rachel was not comparable to her own children. “She really might be six years old,” was all she said, however, this judgment referring to the smooth unmarked outline of the girl’s face, and not condemning her otherwise, for if Rachel were ever to think, feel, laugh, or express herself, instead of dropping milk from a height as though to see what kind of drops it made, she might be interesting though never exactly pretty. She was like her mother, as the image in a pool on a still summer’s day is like the vivid flushed face that hangs over it.

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Observing that they passed no other hansom cab, but only vans and waggons, and that not one of the thousand men and women she saw was either a gentleman or a lady, Mrs. Ambrose understood that after all it is the ordinary thing to be poor, and that London is the city of innumerable poor people. Startled by this discovery and seeing herself pacing a circle all the days of her life round Picadilly Circus she was greatly relieved to pass a building put up by the London County Council for Night Schools.

At this point the cab stopped, for it was in danger of being crushed like an egg-shell. The wide Embankment which had had room for cannonballs and squadrons, had now shrunk to a cobbled lane steaming with smells of malt and oil and blocked by waggons. While her husband read the placards pasted on the brick announcing the hours at which certain ships would sail for Scotland, Mrs. Ambrose did her best to find information. From a world exclusively occupied in feeding waggons with sacks, half obliterated too in a fine yellow fog, they got neither help nor attention. It seemed a miracle when an old man approached, guessed their condition, and proposed to row them out to their ship in the little boat which he kept moored at the bottom of a flight of steps. With some hesitation they trusted themselves to him, took their places, and were soon waving up and down upon the water, London having shrunk to two lines of buildings on either side of them, square buildings and oblong buildings placed in rows like a child’s avenue of bricks.

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We alighted at one of the entrances to the Square she had mentioned, where I directed the coach to wait, not knowing but that we might have some occasion for it. She laid her hand on my arm, and hurried me on to one of the sombre streets, of which there are several in that part, where the houses were once fair dwellings in the occupation of single families, but have, and had, long degenerated into poor lodgings let off in rooms. Entering at the open door of one of these, and releasing my arm, she beckoned me to follow her up the common staircase, which was like a tributary channel to the street.

The house swarmed with inmates. As we went up, doors of rooms were opened and people’s heads put out; and we passed other people on the stairs, who were coming down. In glancing up from the outside, before we entered, I had seen women and children lolling at the windows over flower-pots; and we seemed to have attracted their curiosity, for these were principally the observers who looked out of their doors. It was a broad panelled staircase, with massive balustrades of some dark wood; cornices above the doors, ornamented with carved fruit and flowers; and broad seats in the windows. But all these tokens of past grandeur were miserably decayed and dirty; rot, damp, and age, had weakened the flooring, which in many places was unsound and even unsafe. Some attempts had been made, I noticed, to infuse new blood into this dwindling frame, by repairing the costly old wood-work here and there with common deal; but it was like the marriage of a reduced old noble to a plebeian pauper, and each party to the ill-assorted union shrunk away from the other. Several of the back windows view website on the staircase had been darkened or wholly blocked up. In those that remained, there was scarcely any glass; and, through the crumbling frames by which the bad air seemed always to come in, and never to go out, I saw, through other glassless windows, into other houses in a similar condition, and looked giddily down into a wretched yard, which was the common dust-heap of the mansion.

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‘Oh, dear, yes, Master Copperfield,’ he proceeded, in a soft voice, most remarkably contrasting with the action of his thumb, which did not diminish its hard pressure in the least degree, ‘there’s no doubt of it. There would have been loss, disgrace, I don’t know what at all. Mr. Wickfield knows it. I am the umble instrument of umbly serving him, and he puts me on an eminence I hardly could have hoped to reach. How thankful should I be!’ With his face turned towards me, as he finished, but without looking at me, he took his crooked thumb off the spot where he had planted it, and slowly and thoughtfully scraped his lank jaw with it, as if he were shaving himself.

‘Why that, Master Copperfield,’ said Uriah, ‘is, in fact, the confidence that I am going to take the liberty of reposing. Umble as I am,’ he wiped his hands harder, and looked at them and at the fire by turns, ‘umble as my mother is, and lowly as our poor but honest roof has ever been, the image of Miss Agnes (I don’t mind trusting you with my secret, Master Copperfield, for I have always overflowed towards you since the first moment I had the pleasure of beholding you in a pony-shay) has been in my breast for years. Oh, Master Copperfield, with what a pure affection do I love the ground my Agnes walks on!’

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‘Oh! Yes, truly,’ said Uriah. ‘Ah! Great imprudence, Master Copperfield. It’s a topic that I wouldn’t touch upon, to any soul but you. Even to you I can only touch upon it, and no more. If anyone else had been in my place during the last few years, by this time he would have had Mr. Wickfield (oh, what a worthy man he is, Master Copperfield, too!) under his thumb. Un–der–his thumb,’ said Uriah, very slowly, as he stretched out his cruel-looking hand above my table, and pressed his own thumb upon it, until it shook, and shook the room.

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It took me such a long time to write an answer at all to my satisfaction, that I don’t tramadol side effects in dogs know what the ticket-porter can have thought, unless he thought I was learning to write. I must have written half-a-dozen answers at least. I began one, ‘How can I ever hope, my dear Agnes, to efface from your remembrance the disgusting impression’ – there I didn’t like it, and then I tore it up. I began another, ‘Shakespeare has observed, my dear Agnes, how strange it is that a man should put an enemy into his mouth’ – that reminded me of Markham, and it got no farther. I even tried poetry. I began one note, in a six-syllable line, ‘Oh, do not remember’ – but that associated itself with the fifth of November, and became an absurdity. After many attempts, I wrote, ‘My dear Agnes. Your letter is like you, and what could I say of it that would be higher praise than that? I will come at four o’clock. Affectionately and sorrowfully, T.C.’ With this missive (which I was in twenty minds at once about recalling, as soon as it was out of my hands), the ticket-porter at last departed.

If the day were half as tremendous to any other professional gentleman in Doctors’ Commons as it was to me, I sincerely believe he made some expiation for his share in that rotten old ecclesiastical cheese. Although I left the office at half past three, and was prowling about the place of appointment within a few minutes afterwards, the appointed time was exceeded by a full quarter of an hour, according to the clock of St. Andrew’s, Holborn, before I could muster up sufficient desperation to pull the private bell-handle let into the left-hand door-post of Mr. Waterbrook’s house.

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‘To drink?’ returned Miss Mowcher, stopping to slap his cheek. ‘To doctor his own moustachios with, you know. There was a woman in the shop – elderly female – quite a Griffin – who had never even heard of it by name. “Begging pardon, sir,” said the Griffin to Charley, “it’s not – not – not ROUGE, is it?” “Rouge,” said Charley to the Griffin. “What the unmentionable to ears polite, do you think I want with rouge?” “No offence, sir,” said the Griffin; “we have it asked for by so many names, I thought it might be.” Now that, my child,’ continued Miss Mowcher, rubbing all the time as busily as ever, ‘is another instance of the refreshing humbug I was speaking of. I do something in that way myself – perhaps a good deal – perhaps a little – sharp’s the word, my dear boy – never mind!’

‘Put this and that together, my tender pupil,’ returned the wary Mowcher, touching her nose, ‘work it by the rule of Secrets in all trades, and the product will give you the desired result. I say I do a little in that way myself. One Dowager, SHE calls it lip-salve. Another, SHE calls it gloves. Another, SHE calls it tucker-edging. Another, SHE calls it a fan. I call it whatever THEY call it. I supply it for ‘em, but we keep up the trick so, to one another, and make believe with such a face, that they’d as soon think of laying it on, before a whole drawing-room, as before me. And when I wait upon ‘em, they’ll say to me sometimes – WITH IT ON – thick, and no mistake – “How am I looking, Mowcher? Am I pale?” Ha! ha! ha! ha! Isn’t THAT refreshing, my young friend!’

I never did in my days behold anything like Mowcher as she stood upon the dining table, intensely enjoying this refreshment, rubbing busily at Steerforth’s head, and winking at me over it.

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Mit einer gewissen Findigkeit, die der Logik nicht entbehrte, kam Vid zu der Folgerung, daß der Regimentsgewaltige ihn nicht zu hart bestrafen könne, nachdem doch der Oberst in eigener Person den Kutscher zum — Pfarrer ernannt hatte. Schuld des Popen konnte es nicht sein, falls etwa der Archimandrit dem Regimentskommandanten verschwiegen haben sollte, daß Vid früher des Archimandriten Rosselenker gewesen. Wußte dies aber der Oberst, hatte er trotzdem die Ernennung vollzogen, so durfte er, nun durch die „Stocherei“ des Kontrolloffiziers der Tatbestand „aktenmäßig“ geworden, nicht so grausam sein, den Popen, sein Protektionskind, davonzujagen.

Am vierten Tage beschäftigte sich Vid mit dem Verhalten des Hauptmannes gegenüber dem ins Ohr geflüsterten Geheimnis. Der Pope fragte sich, warum der Offizier sich krümmte und so schrecklich lachte, daß ihm das Wasser aus den Augen schoß? Die „Beförderung“ des Kutschers zum Popen mochte in fremden Augen ungewöhnlich erscheinen; Vid erblickte in ihr nichts anderes als die Tilgung einer Dankesschuld. Verjagt der Oberst den Popen vom Pfarrposten, so wird der Archimandrit entweder für eine andere Stelle sorgen oder den rückständigen Kutschersold bezahlen müssen….